As befitting a band all-but born on the road, MOULD’s forte is wresting meaning from the clutches of chaos. Reflecting the unsettling impermanence of the late millennial experience, the Bristol/London-based trio’s new EP, Almost Feels Like Purpose, explores what it’s like to feel adrift in the world, pairing paranoid reflections with fidgety post-punk that’s prone to sudden melodic shifts and rhythmic about turns. They are – as singer/guitarist Joe Sherrin puts it on ‘Temps’ – “as unsettled in our skin as we are our locations,” and, honestly, it’s a thrill to witness.

Anchoring it all is the sort of easy creative chemistry that can only come with familiarity. Sherrin and drummer James Luxton have been collaborating for over a decade, having first played together in slacker indie outfit Let’s Kill Janice. Multi-instrumentalist Kane Eagle became involved three years later, contributing bass alongside Luxton’s drums to Sherrin’s Guided By Voices-esque solo project Slonk, before the three joined forces again as part of alt-folkie Fenne Lily’s backing band.

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